Long Table: Against Forgetting: Archiving Dance
Sep. 12, 2018, 6:00 pm – 8:00 pm
Known as the most ephemeral art, dance is also intellectual thought, labor and creative achievement. How do we honor the legacy of dance, its pioneers and innovators? How do we tell the deeper stor(ies) of dance? Who does (or does not) get to shape and tell these stories? How do we preserve the record of dance as a touchstone for future artists and communities?
Faciliatator: Eva Yaa Asantewaa
Core Participants: Arlene Yu, Jill Williams, Paloma McGregor and Margit Edwards
Part of Gibney’s Center Line series.
Also join us for Circling Back: Remembering Dance.
Curated and hosted by Senior Curatorial Director, Eva Yaa Asantewaa, Center Line is a series highlighting issues in the dance community through monthly conversations (Long Tables) and experiential gatherings (Circling Back).
Long Tables conversations adopt performance artist Lois Weaver’s non-hierarchical Long Table format, encouraging informal conversation around topics of concern to the community.
Circling Back events are experiential gatherings, guided by dance community elders, in which artists reflect on themes and ideas from the previous Long Table while sharing wisdom, core values, and ways of living that inform their creative movement practice. Each circle—unique in format and content—will establish respectful, generous and generative space held by the guides and all who attend.
Copyright Gina Gibney Dance Inc., photo by Scott Shaw.
The accessible entrance for this location is located at 280 Broadway. Please note that this is a shared entrance with the New York City Department of Buildings. To access the elevator, attendees may be asked to provide a valid photo ID and go through building security, including a metal detector.
Requests for reasonable accommodation or for access to the 280 Broadway entrance after 5:00 pm or on the weekend should be made three days in advance by contacting Elyse Desmond at 646.837.6809 (Voice only), or by e-mailing firstname.lastname@example.org.