Post-Performance Discussion: May 3<\/em><\/p>\nGDC\u2019S Spring Season presents new works by Senior Company Director Amy Miller and Guest Choreographer Bryan Arias.<\/p>\n<span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<h6>Amy Miller:\u00a0<strong>Valence<\/strong><\/h6>\n<p><em>Valence<\/em> calls on the chemistry term describing the inherent bonding capacity of atoms to reflect our constant potential to create connections in our daily lives transforming how we see ourselves, each other and the world. Composer Peter Swendsen\u2019s original score draws on a broad palette of sonic choices, including many related to human, mechanical and environmental \u201cbreath\u201d in this work originally created on Cleveland-based GroundWorks DanceTheater.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/262976378?title=0&byline=0&portrait=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h6>bryan arias:\u00a0<b>One Thousand Million Seconds<\/b><\/h6>\n<p>An abstract story of society and human existence. The work shows the essential humanity of the characters and addresses themes of life, existence and happiness. Stories represent a series of disconnected vignettes that together interrogate facets of modern life. Through countless aspects of existence, reality and time. 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GDC\u2019S Spring Season presents new works by Senior Company Director Amy Miller and Guest Choreographer Bryan Arias.<\/p>\n
<span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<h6>Amy Miller:\u00a0<strong>Valence<\/strong><\/h6>\n<p><em>Valence<\/em> calls on the chemistry term describing the inherent bonding capacity of atoms to reflect our constant potential to create connections in our daily lives transforming how we see ourselves, each other and the world. Composer Peter Swendsen\u2019s original score draws on a broad palette of sonic choices, including many related to human, mechanical and environmental \u201cbreath\u201d in this work originally created on Cleveland-based GroundWorks DanceTheater.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/262976378?title=0&byline=0&portrait=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h6>bryan arias:\u00a0<b>One Thousand Million Seconds<\/b><\/h6>\n<p>An abstract story of society and human existence. The work shows the essential humanity of the characters and addresses themes of life, existence and happiness. Stories represent a series of disconnected vignettes that together interrogate facets of modern life. Through countless aspects of existence, reality and time. 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