{"id":10002982,"global_id":"gibneydance.org?id=10002982","global_id_lineage":["gibneydance.org?id=10002982"],"author":"19","status":"publish","date":"2018-12-18 11:42:29","date_utc":"2018-12-18 16:42:29","modified":"2018-12-18 16:08:31","modified_utc":"2018-12-18 21:08:31","url":"https:\/\/gibneydance.org\/event\/reggie-wilson-fist-heel-performance-group\/2019-01-07\/","rest_url":"https:\/\/gibneydance.org\/wp-json\/tribe\/events\/v1\/events\/10002982","title":"Reggie Wilson\/Fist & Heel Performance Group","description":"

Reggie Wilson\/Fist & Heel Performance Group
\n<\/b>\u2026they stood shaking while others began to shout<\/i><\/h3>\n
<\/i>Co-Presented by Danspace Project and Gibney as part of American Realness 2019<\/h5>\n
Monday, January 7, 8:00pm
\nTuesday, January 8, 8:00pm
\nThursday, January 10, 8:00pm
\nFriday, January 11, 8:00pm
\nSaturday, January 12, 8:00pm<\/h5>\n
Danspace Project
\n131 East 10th Street<\/h5>\n
Advance Tickets $22, Danspace Project Members $15, Door Tickets $25<\/h5>\n

\u2026they stood shaking while others began to shout <\/i>is a dynamic tapestry that recalls the past into the present moment.<\/p>\n

This work is influenced by Wilson\u2019s ongoing research related to Ring Shouts and traditional American Baptist, Trinidad and Tobagonian Spiritual Baptist, and Shaker praise songs. Major inspirations are the Black Shakers, particularly prominent Shaker Eldress, Mother Rebecca Cox Jackson; the Ibeji, an orisha (god) of the Yoruba religion that is represented by twins; the challenges of duets and pairing; and the 1995 work, <\/span>The Littlest Baptist<\/i> \u2013 Wilson\u2019s 1st attempt at incorporating his field research of Black shout traditions into contemporary experimental performative theater.<\/span><\/p>\n

Performances of <\/span>\u2026they stood shaking while others began to shout <\/span><\/i>for American Realness 2018 are made possible with support from Danspace Project and Gibney. <\/span>\u2026they stood shaking while others began to shout <\/span><\/i>was <\/span>commissioned for and premiered on the occasion of Reggie Wilson-curated <\/span>Dancing Platform Praying Grounds: Blackness, Churches, and Downtown Dance<\/span><\/i> (Platform 2018) at Danspace Project.<\/span><\/p>\n

Photo by Ian 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