{"id":34775,"date":"2019-06-03T12:50:57","date_gmt":"2019-06-03T16:50:57","guid":{"rendered":"https:\/\/gibneydance.org\/?post_type=tribe_events&#038;p=34775"},"modified":"2019-11-26T11:16:55","modified_gmt":"2019-11-26T16:16:55","slug":"bipoc-contact-improvisation-jam","status":"publish","type":"tribe_events","link":"https:\/\/gibneydance.org\/event\/bipoc-contact-improvisation-jam\/","title":{"rendered":"BIPOC Contact Improvisation Jam"},"content":{"rendered":"<h5>TUESDAY, JUL 9: 6:00 &#8211; 8:00 PM<br \/>\nTUESDAY, OCT 22: 6:00 &#8211; 8:00 PM<br \/>\nTHURSDAY, DEC 5: 6:00 &#8211; 8:00 PM<\/h5>\n<p class=\"\">Do you identify as a Black, Indigenous or any persons of color (BIPOC)? Do you practice Contact Improvisation or want to learn about it?\u00a0Do you have any skills or exploratory scores related to Contact that you would like to share?<\/p>\n<p class=\"\">Contact, y&#8217;know it&#8217;s that\u00a0rolly, touchy stuff that white people do? Nah?! You\u00a0<em>don&#8217;t?<\/em>\u00a0Well, hold on! We&#8217;re going do it our way.<\/p>\n<p>Come to the Parcon Resilience <strong>BIPOC <\/strong><strong>Contact Improvisation Jams<\/strong>\u00a0and the\u00a0<strong>BIPOC Long <\/strong><strong>Table<\/strong>\u00a0community conversation. We are asking for\u00a0<em>only people who identify as BIPOC<\/em>\u00a0to attend these events to facilitate healing and an increased verbal and contact-based understanding of each others&#8217; realities. Black and Indigenous intersections of race are named not to exclude any people of color but to center their experience\u00a0as people who have endured the most oppression at the hands of the state.\u00a0<a href=\"https:\/\/wearyourvoicemag.com\/identities\/philando-castile-akai-gurley-non-black-people-colors-complicity-anti-blackness\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Click here for more information<\/em><\/a>.<\/p>\n<p><span style=\"font-size: 1.125rem;\">No experience is necessary!<\/span><\/p>\n<p><span style=\"font-size: 1.125rem;\">Other Parcon Resilience <strong>BIPOC Contact Improvisation Jams<\/strong> at <a href=\"https:\/\/www.mndflmeditation.com\/upper-east-side.html#\/week\">MNDFL UES<\/a> on\u00a0<\/span>Sep.\u00a0 8 and Nov. 10 from 6:30-8:30 PM.<\/p>\n<hr \/>\n<p><strong style=\"font-family: 'Aktiv Grotesk Cd', 'Helvetica Neue', Arial, sans-serif; font-size: 1.3125rem; text-transform: uppercase;\">WHAT IS CONTACT IMPROVISATION?<\/strong><\/p>\n<p class=\"\">\u201cContact Improvisation is a\u00a0<strong>movement improvisation<\/strong>\u00a0that is explored with an other being. According to one of its first practitioners,\u00a0<a title=\"Nancy Stark Smith\" href=\"https:\/\/en.wikipedia.org\/wiki\/Nancy_Stark_Smith\">Nancy Stark Smith<\/a>, it \u00ab\u00a0resembles other familiar duet forms, such as the embrace, wrestling, surfing, martial arts, and the jitterbug, encompassing a wide range of movement from stillness to highly athletic.\u201d1<\/p>\n<p class=\"\">The founder Steve Paxton defines CI as, \u201cThe exigencies of the form dictate a mode of movement which is relaxed, constantly aware and prepared, and onflowing. As a basic focus,\u00a0the dancers remain in physical touch, mutually supportive and innovative, meditating upon the physical laws relating to their masses: gravity, momentum, inertia, and friction. They do not strive to achieve results, but rather, to meet the constantly changing physical reality with appropriate placement and energy.\u201d2<\/p>\n<h5><strong>WHAT IS CONTACT IMPROVISATION IN RELATION TO WHITENESS?<\/strong><\/h5>\n<p class=\"\">by Andrew Suseno<\/p>\n<p class=\"\">I believe the practice of CI was meant for all people of all races, ages, and abilities.<\/p>\n<p class=\"\">In practice Contact Improvisation(CI) Jams are often white, heteronormative, and able-bodied centric with a majority of practitioners being liberal white university students\/alums and teachers. And while this population often means well, they have historically universalized participant experiences toward whiteness, micro-aggressed, and negated alternate cultural and socio-emotional experience. Many BIPOC across the country have been turned off from further exploration of CI at Jams, or at all, not because they are not curious about CI, but because of the insidious toxicity, cultural impositions, and isolation experienced in jams.<\/p>\n<p class=\"\">1 Nancy Stark Smith et David Koteen (2013),\u00a0<em>Caught Falling. The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas<\/em>, Contact Editions, p. xii<\/p>\n<p class=\"\">2Steve Paxton, &#8220;A Definition&#8221;,\u00a0<em>Contact Quarterly<\/em>, Winter 1979, p. 26.<\/p>\n<p><em>Photo courtesy of Andrew Suseno.\u00a0<\/em><\/p>\n<hr \/>\n<h6>ACCESSIBILITY<\/h6>\n<p>Gibney 280 Broadway is accessible via elevator from the main entrance at 53A Chambers Street.<\/p>\n<p>We welcome the opportunity to make this event more accessible. Please refrain from wearing scented products, so that people with chemical sensitivities can join us. Please request ASL interpreting, audio description, or open captioning 30 days before the event or submit other requests by completing our <a href=\"https:\/\/form.jotform.com\/92406647220150\" target=\"_blank\" rel=\"noopener noreferrer\">Access Requests and Inquiries Form<\/a> or calling 646.837.6809 (Voice only).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TUESDAY, JUL 9: 6:00 &#8211; 8:00 PM TUESDAY, OCT 22: 6:00 &#8211; 8:00 PM THURSDAY, DEC 5: 6:00 &#8211; 8:00 PM Do you identify as a Black, Indigenous or any [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":34780,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"sector":[52],"series_platform":[],"tribe_events_cat":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>BIPOC Contact Improvisation Jam - Gibney<\/title>\n<meta name=\"description\" content=\"Andrew Suseno hosts a series of Contact Improv Jams for people who identify as a Black, Indigenous or any persons of color. 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