Imagining Digital | Deeper Duet: Gregory King + Gesel Mason

Nov. 16, 2022, 6:00 pm EST

$15 – $20

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Early Bird Price Through August 31: $15
General Price: $20

Centering Joy and Blackness in All You Do…Are You happy?

Why must we always fight for survival? How can we focus more on pleasure in our practice and our pedagogy, planting seeds for joyous Black futures?


Gregory King is a culturally responsive educator who received his MFA in Choreographic Practice and Theory from Southern Methodist University and is certified in Elementary Labanotation from the Dance Notation Bureau.  He has performed with The Washington Ballet, Erick Hawkins Dance Company, New York Theatre Ballet, Donald Byrd /The Group, The Metropolitan Opera Ballet, New York City Opera, and Disney’s The Lion King on Broadway. His own works, widely commissioned, have also been presented by Dixon Place, The Kennedy Center, and Cleveland’s Playhouse Square. King’s research project, titled “Digital Activism: Black Bodies Reclaiming Public Spaces,” combines the disciplines of dance, movement analysis, literary criticism, social psychology, and anthropology.  He has served as dance faculty for Texas Ballet Theater, Boston Ballet, Temple University, and Swarthmore College. His writing on dance has appeared in The Dance Enthusiast, ThINKingDANCE, The Philadelphia Dance Journal, CHOICE Review, and Broad Street Review. He is the 2018 recipient of the Outstanding Creative Contribution award from the Division of Diversity, Equity, and Inclusion at Kent State University where he served as Provost Faculty Associate for the academic year 2019-2020. He has also been a tenure track professor of dance and artistic director of the Kent Dance Ensemble.


Gesel Mason is a choreographer, performer, educator, and arts facilitator. She is Artistic Director for Gesel Mason Performance Projects and Associate Professor of Dance and Choreography at the University of Texas at Austin. She was a member of Liz Lerman Dance Exchange and Ralph Lemon/Cross Performance Projects. She has also performed with Ririe-Woodbury Dance Company, Repertory Dance Theatre of Utah, and under the direction of Chuck Davis, Jacek Łumiński (Silesian Dance Theatre), Murray Louis, and Victoria Marks.

Her company, Gesel Mason Performance Projects (GMPP) is a project based dance company that seeks to create meaningful, relevant, and compelling art events as a way to encourage compassion and inquiry. In her work, Mason utilizes dance, theater, humor, and storytelling to bring visibility to voices unheard, situations neglected, or perspectives considered taboo. Numerous venues and festivals have presented Mason’s choreography including John F. Kennedy Center, American Dance Festival, Bates Dance Festival, the International Association of Blacks in Dance, and numerous colleges and universities.

Significant awards have included: National Endowment for the Humanities (2020), New England Foundation for the Arts (2020, 2007), Rauschenburg Artist in Residence (2019), National Performance Network (2019, 2009, 2002), National Endowment for the Arts (2016, 2004), Whiting Foundation (2018), and University of Colorado Boulder Research & Innovation Seed Grant (2018). In 2017, Mason was one of four choreographers commissioned to create work for American Dance Festival’s “Footprints.” In 2015, Mason received a Map Fund for her project “antithesis,” which challenged how female sexuality is perceived, performed, and (re)presented. Mason was one of six choreographers selected by the Joyce Theater for a Rockefeller Residency Initiative in 2011 and received the Millennium Stage Local Dance Commissioning Project from the John F. Kennedy Center for the Performing Arts in 2007.

For over 20 years, Mason has been committed to supporting and celebrating the contributions of African American artists and communities. Her solo performance project, NO BOUNDARIES: Dancing the Visions of Contemporary Black Choreographers, has featured the work of Kyle Abraham, Robert Battle, Rennie Harris, Dianne McIntyre, Donald McKayle, Bebe Miller, David Rousséve, Reggie Wilson, Andrea E. Woods Valdéz, and Jawole Willa Jo Zollar. NO BOUNDARIES, highlighted by NPR, Google Arts and Culture, and Dance Magazine, is evolving into a digital humanities archive to illuminate the unique legacies and aesthetics of these choreographers. In 2020, Mason was awarded a NEH Digital Humanities Advancement Grant, with co-director Rebecca Salzer of the University of Alabama, in support of the digital archive’s curation, research and development.

Her current choreographic project Yes, And, centers Black womanhood as the norm and operating force in the creative process. It is an evolving performance project activated by the question: Who would you be and what would you do if, as a Black woman, you had nothing to worry about? The project is supported by National Performance Network, NEFA National Dance Project, and an inaugural Texas Performing Arts/Fusebox Festival Residency. Yes, And’s most recent evolution will premiere in July 2022 at Hillwood Estate, Museum and Gardens in Washington D.C., presented by Dance Place.
We encourage you to join this digital event in real time to participate in discussion and artist Q&As! However, if you are unable to join us at the time of the event, the full recording will be made available to all attendees 48 hours after the live event. Patrons will have access to that recording for 10 days via Gibney’s Vimeo account.

Each Deeper Duet session, curated by Eva Yaa Asantewaa, engages two special guests in lively and provocative conversation about artistic life, artistic practice and the urgent social concerns that drive creative expression.

Photo of Gregory King by Dennis Johnston. Photo of Gesel Mason by Joe Frantz.